![]() And the soundtrack isn’t too bad, either. 2 closes with a bespoke song for the film, Guardians Inferno, which serves its purpose well enough as a tune to play over the film’s closing credits, but does not work in the context of this soundtrack and (obviously) would not have appeared on the mix tape featured in the film, therefore it sounds out of place. There’s more inventiveness, and more honest to goodness heart in this film than the last four MCU films combined. ![]() 2‘s production: whatever the film lacks in one department it more than makes up for in another. That belongs to Michael Rooker's Yondu, the blue-faced seemingly callous leader of the Ravagers who kidnapped Star-Lord from Earth at the beginning of the first film.Ībout halfway through, the ironic use of "Come a Little Bit Closer" will leave you reeling during the film's best action sequence featuring Rocket, Groot, and Yondu as they effortlessly take down a group of scoundrels. If you weren't on board with Yondu in the first outing, his entire journey throughout the sequel makes for quite the redemption narrative arc. That seems to be the running theme of Guardians of the Galaxy Vol. While fans will leave theaters wanting more of the film's music and Baby Groot, it's not even one of the main Guardians which has the best scene of the movie. Some are meant to carve more emotional moments, but each of them has a very specific design and purpose that accentuates sonically what James is trying to do visually.” Some are meant to be an ironic contrast to the action scenes. “Every song is in the script for a very specific purpose," says executive producer Jonathan Schwartz in the film's production notes.
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